![]() ![]() ” …a film that explores the boundary between science and the occult – and it is also what places Gudiño’s work at the shadowy gateway between SF and horror. On the positive side, it had good music (it was produced and scored by Slash), some pretty darn good gore effects and has a kick poster.” 2 out of 5, The Scariest Things “The pacing was off, the performances left something to be desired and there were just too many things going on that competed for attention so none of the ideas were fully fleshed out. Everything sort of implodes from there It makes me want to go back to the source material to compare the work.” Reel News Daily It was a real head-scratcher for me, as I was all in with the body horror ala The Fly idea. “In the film’s final third, the screenplay takes three very different concepts and tries to mash them together. The film builds to a satisfying resolution where all secrets are finally revealed, including a few nasty surprises and creepy monsters.” Horror Buzz While the character development is a little too flat, the second half is worth the wait. ” … The Breach is an enjoyable Canadian horror film and a clever take on the mad scientist trope. Those Barker elements are channelled through the gore, and much like the opening body, will need a cast-iron stomach to endure A claustrophobic slice of eighties b-movie science-fiction, The Breach plays to the anticipated tropes well, whilst still slipping in the odd unexpected turn.” 4 out of 5, The Hollywood News ” …a cosmic Lovecraftian tale of mad science with echoes of Clive Barker. ![]() What matters throughout is the story, and despite its familiar aspects, it is, in its own way, a ripping yarn.” 3.5 out of 5, Eye for Film Whilst non-horror fans are likely to find it too much for them, this isn’t a gorefest. “The physical effects work here is good, and properly unpleasant, but again, Gudiño never pays it undue attention. The tension only goes away when all hell breaks loose towards the end.” AIPT There is a brief moment where it seems like the film is going to be more of a mystery, but even then there is an ominous feel. The Breach has a disturbing tone that starts from the beginning and never goes away. His espionage was described by the Department of Justice as 'possibly the worst intelligence disaster in U.S. “The dialogue can get clunky at times, but the atmosphere does a great job covering for these moments. Robert Philip Hanssen (born April 18, 1944) is an American former Federal Bureau of Investigation (FBI) double agent who spied for Soviet and Russian intelligence services against the United States from 1979 to 2001. Parson’s missing daughter and a visit by his grieving wife Linda (Natalie Brown) make the investigation more mysterious and deeper secrets are revealed that push everyone to the brink of danger… When they arrive, they find the home in disrepair, with an indescribable heaviness and a strange machine in the attic. On the cusp of fatherhood, a junior mechanic aboard an interstellar ark to New Earth must outwit a malevolent cosmic terror intent on using the spaceship as. She takes Hawkins and Redgrave to Parsons’ leased house in the woods, where he conducted secret research. They begin to suspect the remains are of a missing physicist, Doctor Cole Parsons (Adam Kenneth Wilson) and Hawkins is forced to revisit old ties with his ex, Meg Fulbright (Emily Alatalo) - the town’s charter-boat captain who knows the waterways like the back of her hand.
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